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19 pages 38 minutes read

Danez Smith

It won’t be a bullet

Danez SmithFiction | Poem | Adult | Published in 2017

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Further Reading & Resources

Related Poems

dear white america by Danez Smith (2017)

This is one of Smith’s earliest poems, which won them recognition and helped them launch their career. The poem and Smith’s performance of it became widely circulated on YouTube. It shows the characteristic topics of Smith’s work, including the use of Afrofuturism to create a hypothetical “better” world, a world where African Americans can escape earth to live on another planet and therefore live without racism.

Dinosaurs in the Hood by Danez Smith (2014)

In this poem, Smith writes a summary of a movie in which an African American boy plays with a toy dinosaur. The poem critiques many of the typical tropes Hollywood uses when portraying Black characters. Specifically, the poem argues that the Black boy in this movie cannot die. This is a theme Smith returns to over and over in their work, advocating for a world in which Black people are allowed to live in safety.

Summer Somewhere by Danez Smith (2016)

“Summer Somewhere” responds to the fact that so many African American men have been brutally killed young. In this poem, the speaker draws a vision of an afterlife where those who have been murdered prematurely get to go on living in a “summer” that is not of this world. As in “it won’t be a bullet,” this poem explores the promise of spiritual succor after death.

Further Literary Resources

This article documents the rising tide of voices that have contributed to the “Golden Age of Poetry.” It suggests that the “Golden Age” has been spurred on specifically by younger poets of color, and lists Smith’s podcast, Vs., which they co-host with Franny Choi, as an example of the way newer, once-marginalized poets are re-invigorating the field.

Danez Smith: Don't Call Us Dead” by Danez Smith

This is a performance and Question & Answer presented by The Poetry Foundation. In the Q&A portion of this presentation, Smith discusses their diagnosis with HIV and how that, along with the ongoing brutality of police against African Americans, informed their book Don’t Call Us Dead.

In this article, Smith discusses some of their early life experiences. They attribute their interest in poetry to their mother, who took them to the library to check out books, discusses the way attending church informed their beliefs, and tells the story of how they “came out” to their mother and grandmother. Although they were able to talk about their sexual orientation with their female family members, they felt it necessary to hide it from their grandfather.

Listen to Poem

This is part of the ReadSoulLit series. In this video, Shamina Yuki reads the poem over an image of her drawing a picture of a noose and a bleeding heart. The drawing alludes to the historical threats African American men have faced, which is death by hanging, or lynching from a mob who denied them justice in favor of cruel brutality. After reading the poem, Shamina Yuki discusses how Smith has transitioned from being a “performance” poet to a more “literary figure” and introduces listeners to her own channel, BrownGirlReading. Shamina Yuki is an example of the ways younger people are becoming more involved in literature and using social media to promote their own writing and the writing of others.

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